James Michael Kahle (b. 1954) American, OBLIO’S TONES, 2016, Glass, Collection of the Dayton Metro Library, 2016.6
For this large scale work, Dayton glass artist James Kahle worked with a team of local glass blowers including Kirstie Chakeres, Aubrey Hackett, Steve Lamb, Abiona Pleasant, Josh Merritt and Matt Walland each contributing one or more roundels inspired by the color variations found in the Albers’ work. The final assembly of glass roundels that form an abstract design was completed by Kahle and stained glass artist Judy Bebee. Recognizing that this installation would be located in the Library’s Children’s Room, Kahle and Bebee designed this artwork to be touched.
Shon Walters (b. 1974) American, THE FLOWERS’ ULTIMATE DEVOURING OF THE SUN, 2015-2016, Poplar, monkee pod, acacia, mahogany, ambrosia maple, bamboo, Spalted sycamore, box elder, ebony, black and white ebony, Macassar ebony, lacewood, bubinga, tulipwood, yellow heart ash, maple, wenge, curly maple, Koa, Collection of the Dayton Metro Library, 2016.7
Walters creates sculptures from a variety of wood paying homage to nature’s largest plant and one of our greatest resources. Here, he sculpts thirteen flowers transforming from the simple grasses seen in the Footed Dish to over-exaggerated blooms composed with an intricacy that dances between the voluptuous and the delicate.
Amy Kollar Anderson (b. 1974) American, MANABU HAIKU, 2016, Acrylic and copper foil on linen.
Collection of the Dayton Metro Library, 2016.1
Kollar Anderson was inspired by the rich patterns, bold color and variety of textures found in the Kuosi Society Costume from The Dayton Art Institute’s permanent collection. This work by Kollar Anderson overlaps realistic forms and decorative elements combining them with non-traditional material choices.
Josef Albers (1888 - 1976) American, born in Germany, Homage to the Square: Sentinel, 1968, Oil on canvas mounted on Masonite, 48 x 48 inches, The Dayton Art Institute, Gift of Mrs. Virginia W. Kettering, 1950.24
Born in Germany, Oil on canvas mounted on Masonite, Gallery 202: Color is relative: Like intervals of music, colors come to life when experienced with ones that are variations on them or that are entirely different. If you look closely, you'll see that this artwork is not only Albers' tribute to the shape of a square but an exploration of the qualities of pure color: variable, relative, and luminous. Rationale for inclusion: Seemingly simple and definitely bold, Albers' painting is strong and pure, clear and radiant. This community possesses a similar simplicity and clarity.
See this work at The Dayton Art Institute or go to http://www.daytonartinstitute.org/196916# for more information
Japanese, Momoyama period (1568 - 1615) Footed Dish, early 17th century, Stoneware with underglaze iron decoration, 9 3/8 x 8 x 2 1/4 inches, The Dayton Art Institute, Gift of Mrs. Virginia W. Kettering, 1969.16
Japanese, Momoyama period, Mino ware footed dish, Japanese Stoneware with underglaze iron decoration, Gallery 106: In the late 16th century, samurai warlords were engaged in building massive defensive fortresses and tiny, rustic teahouses. This dish would have held tea cakes for its owners while they contemplated the beauty in imperfection. Rationale for inclusion: The delicate painted grasses capture the elegance of the fields surrounding New Lebanon.
See this work at The Dayton Art Institute or go to http://www.daytonartinstitute.org/198615# for more information.